My Old Flame: An olive green Olivetti 22 portable typewriter, with black keys and white letters. I bought it in London for forty pounds in 1959. It’s the same typewriter I used for my first book and my best works.1

 

Leonard Cohen

 

Leonard Cohen & His Writing Tool

It turns out that Leonard Cohen, whose respect for and affiliation with his Conde guitar2 is well known, held his Olivetti typewriter in similar esteem.

How Leonard Cohen Types

Biggest Influences on My Typing:

Liturgical, country, and folk music. I type very slow at first and work up a head of steam. I type the way I write, one word at a time.3

How Leonard Cohen Types Underwater

When I Write:

I like the room clean, the floors to be washed, my bed to be made, the table to be tidy. I once had drawn a bath and I put pine oil in it and I noticed the pine oil stained the water the same color as my Olivetti. I was in a mood of some extravagance and I put the typewriter in the bathtub and tried to type under water. Then I threw my manuscript for Flowers for Hitler in the bath and tried to scrub it with a nail brush. This was during a particularly tense period one winter in Montreal. Then I took the typewriter out of the bathtub and in a rage over some imagined injustices a woman had done to me, flung it across the room. (It was a small room in a small house I had rented on Pine Avenue.) The Olivetti cracked. I thought it was finished and I just stowed it in a corner of the house. About a year later I went to the Olivetti factory on Nun’s Island and brought the thing to the front desk. The man there just looked at it and said “not a chance.” Then — I don’t know why — when the fellow’s back was turned I walked in the factory proper, toward a workbench where an elderly man was working on some typewriters. I approached him and I said I really needed this typewriter. He told me to come back in a few weeks, and when I did he had repaired it meticulously.4

An article covering much of the same material in the August 1985 edition of Spin (where Scott Cohen was an editor) explains that Cohen “has removed part of the case of his [typewriter] so he can see the keys inside” and goes on to note that after paying the repairman a few dollars, Cohen

… went on to type all his famous songs – “Suzanne,” “So Long Marianne,” “Famous Blue Raincoat,” “Sisters Of Mercy”; his best selling novel Beautiful Losers; and his other masterpieces.

… After he wrote “Beautiful Losers,” Leonard Cohen took his Olivetti to Greece, where he had bought a house for $1,500.

Leonard Cohen was not the only person to use that Olivetti on Hydra.

Shown above is Marianne, on Hydra, using Leonard Cohen’s typewriter (from back of the record sleeve for the Songs From A Room album).

The Olivetti Lettera 22 Typewriter

The Olivetti Lettera 22 is itself a significant machine, as indicated by this excerpt from My Typewriter:

Designed by Marcello Nizzoli, one of the most influential Italian designers from the 1930s to 1950s, the Lettera 22 was embraced internationally as a portable typewriter, especially by journalists. Nizzoli first worked for the family firm of Olivetti as a graphic designer, and then became its chief product designer, producing landmark designs including the Lexikon 80 and Lettera 22 (and the Mirella sewing machine for Necchi). The Lettera 22 is typical of his work: functional, muted, yet with clear sculptured lines-punctuated by the single red tab key. In 1954, it won the inaugural Compasso d’Oro Award, the pre-eminent Italian design award. The Lettera 22 has all-important big typewriter features. With its award wining good looks, rugged dependability, it was original sold for $88 (later reduced to $68). The most common color was blue but also available in green and gray at the time.

Wikipedia adds that

… in 1959, the Illinois Institute of Technology chose the Lettera 22 as the best design product of the last 100 years.

The typewriter is sized about 27x37x8 cm (with the carriage return lever adding about 1-2 more centimeters in height), making it quite portable at least for the time’s standards, even though its 4 kg weight may limit portability somewhat.

Mechanics

The Lettera 22 is an oblique frontstroke typebar typewriter. The typebars strike a red/black inked ribbon, which is positioned between the typebar and the paper by a lever whenever a key is pressed; a small switch located near the upper right side of the keyboard can be used to control the strike position of the ribbon, in order to print with black, red, or no ink (for mimeograph stencils)…

The Lettera 22 uses a basket shift or segment shift (that is, the unit including the typebars moves up and down when shifting, as opposed to the carriage shift system). The Lettera 22 is quite compact compared to other 1950s portable typewriters using a basket shift, such as the Smith Corona Sterling or Remington-Rand Quiet-Riter…

For the Italian market the keyboard is in the QZERTY layout, as with most Italian machines (excluding modern computer keyboards). Aside from the typing keys, the keyboard includes a Space bar, two Shift keys, one Caps lock key, a Backspace key and a margin release key ; of these, only the Backspace key bears a mark on it (an arrow pointing right), while the other five mentioned are left anonymous.

The character set conspicuously lacks the number 1, which is supposed to be substituted by the lowercase L. Although this may seem like a strange absence today, this was actually common on older typewriters.

Layout: Normal

é	“	‘	(	_	è	^	ç	à	)	–
q	z	e	r	t	y	u	i	o	p	ì
a	s	d	f	g	h	j	k	l	m	ù
w	x	c	v	b	n	,	;	:	ò

Layout: Shifted

2	3	4	5	6	7	8	9	&	°	+
Q	Z	E	R	T	Y	U	I	O	P	=
A	S	D	F	G	H	J	K	L	M	%
W	X	C	V	B	N	?	.	/	!

Leonard Cohen – From Olivetti To Mac

Leonard Cohen is now a Mac man. In addition to his Apple computer, he also used, a 1991 interviewer admiringly noted, such electronic gear as a fax machine, a digital synthesizer, and a (separately listed) modem.5

Credit Due Department: The photo atop this post is by Marianne Ihlen. The photo of a young Leonard Cohen at his desk is credited to: Allan R. Leishman/Montreal Star/Library and Archives Canada/PA-190166. Restrictions on use: Nil. The exquisite photos of the Olivetti itself are by Robert Messenger and were first posted at his remarkable Oz Typewriter site. The photo of Leonard Cohen with his computer was taken by Lorca Cohen.

I am republishing selected posts from my former Leonard Cohen site, Cohencentric, here on AllanShowalter.com (these posts can be found at Leonard Cohen). This entry was originally posted Feb 23, 2011 at 1HeckOfAGuy.com.

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1. Yakety Yak by Scott Cohen. Simon & Schuster 1994 [↩]
2. See Leonard Cohen: The Prince Of Asturias Awards Speech With Annotations & Commentary [↩]
3. Ibid [↩]
4. Ibid [↩]
5. Adrian Deevoy, Porridge? Lozenge? Syringe?, The Q Magazine 1991. Accessed at http://www.leonardcohenfiles.com/qmag.html [↩]