I went [to Columbia University] with the idea of doing something because I had this continual sense of unemployment. I was maybe twenty-one or twenty-two at the time. I thought I’d better start taking things seriously, you know, you’re twenty-two and you’re not doing anything, what are you going to do in this world? And so in some corner of my mind I thought, well, post graduate studies in English. But I couldn’t make that for more than two or three weeks. I mean, I always had this sense of unemployment; I think that’s what our disease is. That somehow some of the most imaginative people in our society are unemployed. That’s bad. Now, I mean, unemployed both in the strict sense and in some more symbolic sense. We just are not working at our full capacity. And some people feel, you know, we have to tear the whole thing down and begin it again, that, in a sense is a kind of employment. I think that idea is very inviting to unemployed people; it really is a job. Revolution will employ a lot of people. It won’t employ me, unfortunately. I would love to be employed by it. I think that as one of the alternatives open to young men and women today, revolution is an excellent job. And an excellent discipline, excellent training. But it’s not for me. I’ve gone into it in some ways. I even went down to fight in Cuba. I think I explored it to my own satisfaction. I know that unless I can get straight with myself no enterprise is going to be very meaningful. I think a lot of people are going to discover that too. A very good friend of mine who wanted to be a writer and who found that he had made a mistake and he didn’t really want to be a writer, is a gardener now and very happy. I think a lot of people who simply couldn’t make it in the society as we see it now, turned to art first. And it’s still happening in this present generation. A lot of people who look at the world as they see it and look at the jobs that are offered them, simply can’t imagine themselves doing any of those things and because there aren’t many alternatives, they turn to art. They see in art the freedom and the kind of life they would like to lead, that organized society doesn’t present. But there are very few people who really have the aptitude for art. A lot of people would be a lot happier as gardeners and carpenters and cabinet makers, and I think I might be one of them. It’s certainly on my list of the things that I’m going to try. I feel a lot closer to that now, than I ever did. I hardly pay attention to what we call art. I don’t read poetry and I don’t think of myself as an artist. I’m looking around for a job. I thought it might be as a singer.
An Interview with Leonard Cohen by Michael Harris. Duel: Winter 1969. Photo from York University Libraries, Clara Thomas Archives & Special Collections, Toronto Telegram fonds, F0433, Photographer: John Sharp, Identifier: ASC01709.
I am republishing selected posts from my former Leonard Cohen site, Cohencentric, here on AllanShowalter.com (these posts can be found at Leonard Cohen). This entry was originally posted May 2, 2018.