“It’s not that I have anything against prostituting myself. I think prostitutes are important and valuable. But what use is a prostitute if she can’t excite a man? What use am I as a musical prostitute if I can’t get across to an audience?” Leonard Cohen On Money’s Sinister Effect

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I have just turned down $15,000 worth of concerts [in 1968] because I didn’t want to do them. The presence of the money in the whole enterprise has been having a sinister magical effect on me. It meant doing something false to myself. It’s not that I have anything against prostituting myself. I think prostitutes are important and valuable. But what use is a prostitute if she can’t excite a man? What use am I as a musical prostitute if I can’t get across to an audience? What they’re asking me to do out there is to impersonate myself, night after night. And I’m such a bad actor I’m not really interested in the gig. I’m not a great performer. Right now I feel rather like I did when I finished my novel, as if an episode in my life has finished. At the end of the book, I knew I wouldn’t write another because I’d put everything I had into that one. I’m still writing songs, but if I find I have nothing else to say that’s new I shall probably stop.

 

 

Leonard Cohen

 

From Leonard Cohen: Songwriter Who Got Into Folk By Accident by Karl Dallas, Melody Maker, Feb 17, 1968. Photo from York University Libraries, Clara Thomas Archives & Special Collections, Toronto Telegram fonds, F0433, Photographer: John Sharp, ASC01709.

I am republishing selected posts from my former Leonard Cohen site, Cohencentric, here on AllanShowalter.com (these posts can be found at Leonard Cohen). This entry was originally posted Feb 22, 2018.

One thought on ““It’s not that I have anything against prostituting myself. I think prostitutes are important and valuable. But what use is a prostitute if she can’t excite a man? What use am I as a musical prostitute if I can’t get across to an audience?” Leonard Cohen On Money’s Sinister Effect

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